Last night I had the privilege of listening to Variety’s Peter Bart at the UCLA Anderson Entertainment Management Association Career Night. SocialNotions was invited to come and share what we know about marketing and the entertainment business with business with MBA students. In all, the event was great for meeting enthusiastic potential future employees, but also for meeting and reconnecting with our friends from the studios.
I have to come back to Peter Bart, though, because of all the things I heard people say last night, his comments left the deepest impression on me. I’ve paraphrased a few of those here for your enjoyment and because I think they speak to the heart of the issues plaguing the industry. I may add some editorial content later, but for now just wanted to get this out so you can also enjoy it!
The GodFather comment:
Great films from The Godfather era were only made because the studio was so poorly run and producers could get such wonderful projects to pass through the cracks. In today’s corporate version of Hollywood, that never would have happened. The project would have been halted in its tracks before it ever got to pre-production.
Blame layoffs on the corporatization of Hollywood. It’s not demand, which is high, it’s the fact that the industry has become a corporate machine… and an inefficient one at that. In the 70’s, when we were making great films like The Godfather, I’d call a meeting and maybe 3 or 4 people would show up… now, those same meetings would have 50 or 60 people in them!
The majors don’t want a hand in Indie… witness Disney’s trying to sell Miramax; [On a side note, did you see the news yesterday that the Weinsteins are poised to buy it back! There's a link below..]
Although Sundance had a good year, the circle of buyers is much smaller than it was in the past. What we’re left with is a smattering of unknown indie distributors and the unknown world of self-distribution
Most of the nominated pics are Indies, but does this mean the industry is healthy? No, just that the success stories (i.e. the Precious’es of the world) are an accident of history and are not a model we can follow.
On financing:
Hollywood money is always coming from different sources… whether it’s private equity, the Germans or someone else, God Bless the people who are seduced by and invest in film for whatever reason, be it the promise of fame, Hollywood glamor or something else. They will always be there. Is there a better long term solution? Maybe raising money overseas and pre-selling international…
On the tent-pole leanings of the studios:
Artists will always yearn for good art, and you’ll find the best funding their creative exploits by doing the broad commercial fare for the studios and then turning their attention to more creative and intellectually stimulating efforts.
I don’t believe we’re there yet. I think that we are 10 years away from a meaningful, viable manner of web-based distribution. Theatrical is still king.
On the performance of indie flicks in the cinemas:
I was talking with the President of Landmark Theaters recently, and he told me that the arthouse business is about the same size as it was the year before, but that to get there they had to distribute twice as many pictures.
What do you think? Think he’s right? Lemme know….
-D
Related articles by Zemanta
- Weinsteins reported poised to buy back Miramax (guardian.co.uk)
- Get Your Wallet: Disney Selling Miramax for $700 Million (screenrant.com)

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Well, it’s been a little while… perhaps too long, I know.![Reblog this post [with Zemanta]](http://img.zemanta.com/reblog_e.png?x-id=6d64e3f2-9e0f-4ef9-8730-e6d34e53938d)
called OpenIndie, and if successful, will open a world of possibilities for independent filmmakers desperate to get their films in the hands of their audience.
Editor’s Note: with all the talk about a re-awakening in the funding market for new ventures, I thought it fitting to re-post this very well-written and insightful article from our friend and
CBS reporter Shira Lazar from “



Thing is… Rohodeb was actually John Mackey, Whole Foods CEO. Uncool… very uncool. And when challenged, this was his response:

